Flory, Pamela Jean, “Six chansons of Paul Hindemith: An Analysis in Relation to Performance” (). Un cygne.?vance sur l’ enu. Un cygne – Hindemith, Paul (Musica Database) (A swan is breasting the flow ; Un cygne avance sur l’eau). Hindemith, Paul ( – ) [Germany]. Choir Midi Learning Files for works by Paul Hindemith. Paul Hindemith. ( biography). Google Enter your search terms Un Cygne – The Swan. Tutti. Soprano.

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Duration 8 minutes whole work Composer Time Period Comp. For each chord, analyze cygnee structure as a stack of in or fifthstaking into account the possibility that a note might be “missing” from the chord, a note which would complete its analysis as a stack of fourths or fifths. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

I’ll write free-form comments when assessing students Remove points from rubric Don’t post Outcomes results to Learning Mastery Gradebook Use this rubric for assignment grading Hide score total for assessment results Cancel Create Rubric.

Write out your analysis on staff paper or computer-printedhkndemith the chord voicings as a stack of fourths or fifths or, rarely, as a tertiary chord to show the underlying quartal harmonic structure.

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Work Title Six Chansons Alt ernative. A few chords, especially at cadences, are tertiary triads, but most are not. How are they like, and himdemith are they unlike, tertiary chords?


What, if anything, are the traditional scale-based, classical harmonic implications of these chord progressions? Puisque tout passe Since all is passing: You can find the score here: What, if anything, do you think is a cyge note? Birth and death dates are unknown for her as of writing this.

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En Hiver In Winter: Reissued – New York: You can practice along with the recording to hear how your part fits in with the other parts. Can’t change a rubric once you’ve started using it. Un Cygne A Swan: This criterion is linked to a Learning Outcome Description of criterion. Hide score total for assessment results.

6 Chansons (Hindemith, Paul) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Use this rubric for assignment grading. Analyze the opening phrase from the beginning till the downbeat of measure 5 and the closing phrase from the pickup of measure 18 till the endfocusing on the chord structures.

Edit criterion description Delete criterion row. More information about this can be found here. For example, the first chord is analyzable as the quartal triad B-E-A with a doubled B on top ; the second chord the first chord of measure 1 is analyzable as Hiindemith E -A-D-G, a four-note chord that’s essentially quartal with an unstated E ; the third chord is analyzable as a four-note quartal chord G -C -F -B, and so on.

6 Chansons (Hindemith, Paul)

La Birche The Doe: Creative Commons Zero 1. You’ve already rated students with this rubric. Hence, the edition is public domain in its country of origin or a government publication.


Edit criterion description Delete criterion row This criterion is linked to a Learning Outcome Description of criterion view longer description Range threshold: I’ll write free-form comments when assessing students. Continue analyzing the chords in this way for the opening phrase and the ending phrase, writing each chord out as a stack of fourths or fifths on a separate piece of staff paper except when you think a tertiary interpretation is more reasonable.

Chansons ; Songs ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; French language. Retrieved from ” http: It appears that in this piece Hindemith was focusing on chords built in fourths quartal harmony rather than in thirds tertiary harmony.

Bring your analysis to class to hand it in, or submit it in the Canvas dropbox associated with this class. In retrospect, you can see that the second chord can also be analyzed hiindemith a three-note quartal passing chord A-D-G where the B is a hincemith tone exists in the same voice in all three chords and the other three voices move by step from the first chord to the third chord.

Consider the C-naturals in the soprano to be ornamental non-chord neighbor tones not a very significant part of your harmonic analysis.