Built in , Maison de Verre stands till this day as a true classic – beautifully modern, minimal and imbued with countless design lessons. Architect: Pierre Chareau in collaboration with Bernard Bijvoet at least until The Maison de Verre, the work of Chareau wavered continually. Description Change this. The Maison de Verre (House of Glass) is a collaboration of the interior and furniture designer Pierre Chareau, the.

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Step inside the first U.S. exhibition of Pierre Chareau, co-architect of the Maison de Verre

Maison de Verre Change this. In the interior, spaces are separated by movable, sliding, folding or rotating screens in glass, sheet or perforated metal. The two main facades of the house north and south are built using a translucent glass block fabric with clear glass openings in very specific moments.

By using this site, you agree to the Terms of Use and Privacy Policy. The exhibition attempts to piece together parts of Vwrre life and works during those trying times, while integrating in-vogue media and technology that can appeal to today’s broader audience. Looking at the interiors of the project, these lines become complex railings, ladders that move trough space, translucent screens or glass and metal shelving.

Pierre Chareau, Office,pochoir print. In another section, visitors put on VR headsets to experience four digitally imagined interior environments: A rotating screen hid the stairs leading to the private apartment jaison the upper floors from patients during the day, but framed the stairs at night.

The master bedroom and the secondary bedrooms are located on the third floor facing the rear garden whereas the service area is located in the north, within the new built volume.


People Firms Blogs Forum. The house which was used as a residency also comprised Dr. The whole steel structure with bare beams, the canalisation and conduits remain visible from the outside and contribute to the architecture thus transforming utilities into decorative elements.

Probably, the most ambiguous aspect verrre this Project is the relation with glass and transparency. The hotel was in the interior of a block between two courtyards that defined its geometry. Pierre Chareau and Bernard Bijvoet decides to underpin the second floor with a new metallic structure and demolishing the lower floors. Internally, spatial division is variable by the use of sliding, folding or rotating screens in glass, sheet or perforated metal, or in combination.

Cultural context did not bias his design decisions or modified the attempt of creating new spaces and atmospheres.

Pierre Chareau – La Maison de Verre. “in Detail” | The Strength of Architecture | From

When you are going up, you can start to gerre the interior effect created by the glass facade. Read more Read less. After Chareau fled Paris from German occupation during World War II, his own designs and his vast art collection were scattered when he sold them, as he tried to rebuild his career in New York.

The design was a collaboration among Pierre Chareau a furniture and interiors designerBernard Bijvoet a Dutch architect working in Paris cahreau and Louis Dalbet craftsman metalworker. One section of the exhibition covers Chareau’s idiosyncratic furniture pieces.

Maison de Verre – Wikipedia

The result is the construction of three new floors instead of the two original ones and creating double height spaces in some areas of the house. From the interior, this glass facade works as a wall of light sifted without any reference to the exterior landscape, neither the access yard or the rear garden. American architectural historian Robert Rubin bought the house from Dalsace family in to restore it and use it for his family residence.


Retrieved from ” https: En la planta baja se encuentra la consulta del Dr. This comparison goes much further than the seemingly trivial fact that the two works break all the classificatory rules which accord with a traditional understanding of their respective disciplines.

Much of the intricate moving scenery of the house was designed on site as the project developed. The external form is defined by translucent glass block walls, with select areas of clear glazing for tranparency. Zaha Hadid’s repertoire is a stunning display in Venice’s Palazzo Franchetti. The Maison de Verre was commissioned by Dr.

Moreover, the new exposed metallic beams and columns offer a structural and material dee to the project.

The glass block wall itself, is able to stand alone without the heavy frame. It was built on the site of a much older building which the patron had purchased and intended to demolish.

In other projects Wikimedia Commons. Pierre Chareau in collaboration with Bernard Bijvoet. Facing north, the constant natural light shows all the design intentions of Pierre Chareau for the Maison Verre: